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Provence beyond rosé

Following the publication of The Wines of Provence, we caught up with wine writers Elizabeth Gabay MW and Ben Bernheim to discuss their passion for the region and why there is so much more to Provence than rosé. In this interview, they share their favourite places and wines, challenge some familiar clichés and reflect on their careers, memorable tastings and wider wine interests.

Writers Elizabeth Gabay and Ben Bernheim standing on grass by a river holding their book The Wines of Provence.

Elizabeth and Ben at the launch of The Wines of Provence. Photo credit: David Pearce

How long have you been writing about wine?

Ben: I see myself as a communicator, not just a writer, and in that sense I have been talking about the wines I am interested in since 2016, when, as a student, I was very active in my university’s Wine Society. Around that time, I started helping Elizabeth, as she had just begun writing Rosé: Understanding the Pink Wine Revolution. So before writing myself, I was editing a lot and helping out with tastings.

Elizabeth: I have been writing about wine for magazines since 2008. I started off selling wine (focusing on Provence) in the 1980s, and paused full-time work when I had young children and moved to France.

What’s the oldest wine you’ve ever tasted, and what was it like?

Ben: A 1945 Tokaji. Hungarian wine has always been special for me; beyond Provence (where I live), many of my early wine trips as a teenager were to Hungary, around Lake Balaton in particular. It has changed a lot, an important reminder that the wine world of today is wildly different from what it was not so long ago. As a relatively young wine writer, it’s fascinating to see how the industry has changed even in just the last few years.

Elizabeth: The oldest rosé was a Cabernet d’Anjou rosé from 1959, tasted in 2018. It was made by a producer who makes sweet Coteaux du Layon Chenin Blanc so knew how to make sweet wine – that beautiful balance of acidity and sugar. The wine was sublime, full of dried apricot and quince, with amazing freshness. There have been some gorgeous very old fortified wines and a couple of vins de paille from Arbois, but I think the rosé stands out because no one expects it to.

If you had to drink wine from one region for the rest of your life, what would it be, and why?

Ben: Central Europe, Hungary or Austria in particular. I can’t think of many wine regions that have such a fantastic balance, making quality wine in all styles and colours for all price points. Great reds, sillers [a clairet-like wine], some amazing sparkling wines, crisp whites and, of course, the occasional sweet wine!

Elizabeth: It would have to be a region with lots of diversity – sparkling, red, white, rosé, fortified – which does narrow it down a bit. Right now, I think I would go for the Douro; there’s lots of diversity in terroir and styles and some excitement and innovation.

Who is/was your mentor?

Ben: Having now worked closely with Elizabeth for many years, and tasted alongside her for several decades, it would be tough to name anyone else!

Elizabeth: I was sponsored into the MW path by Christopher Tatham MW. Very old school, he could interrupt any tasting by reciting poetry, compose limericks (along with the two Robins – Hicks and Don) and was a font of curious facts about the history of the wine trade after the Second World War.

What do you consider the most over-used word or phrase in wine writing?

Ben: What a brilliant question! ‘A small family estate, making wine for generations’ probably takes the crown for me. Storytelling and history are of course hugely important, but it’s naive to think that the ownership structure of an estate should have such primary importance, and wildly unmeritocratic: there are plenty of newcomers doing great work, and sometimes the very best wines come from incredibly unsexy large corporate behemoths. Wine writers (theoretically) have a responsibility to inform potential drinkers about the best wines and stories, and not simply promote those who have been doing the same thing for the longest time.

I’m going to squeeze in a close second bugbear: ‘this is very Burgundian" ’ or ‘this could almost be a Puligny-Montrachet’ (especially prevalent in French circles). In 2026, Burgundy is a tiny fraction of the global wine market, and at prices wildly out of reach for almost all drinkers. To refer to any wine displaying finesse as Burgundian is to do a disservice to the incredible work performed by winemakers in other parts of the world, and any reference to a specific part of Burgundy seems, to me, to be more a distasteful display of the writer’s own experiences (or wallet) than any particularly helpful comment to a reader.

Elizabeth: This is the best wine in the world/category/region: I really dislike a wine being singled out as the best (and 100 point scores).

Elizabeth Gabay and Ben Bernheim standing side by side in front of a black wall with Ben holding the Wines of Provence book

Photo credit: David Pearce

What do you consider your greatest achievement?

Ben: Always a difficult question! Last year, while still working on The Wines of Provence, I walked for five weeks to Santiago de Compostela, with my laptop in the bag. After walking 30 kilometres every day and navigating every part of rural Spain with a heavy rucksack, making it to Santiago was one achievement, but balancing it with a full workload and writing a book took it to the next level.

Elizabeth: I am not a linguist, so being able to tell a joke in French still gives me a thrill (even if my kids still roll their eyes at me over my appalling French). Professionally, I am quite chuffed that I have managed to be part of a movement which has shown the wine world that rosé can be a great wine – not an easy task as so many still ignore the category and do not explore it further.

Which fictional character would you love to share a bottle with?

Ben: I read a book a few years ago whose protagonist retired to a lighthouse in Cornwall after a career in the theatre. The first three or four chapters were simply a description of every wine he paired with his rudimentary meals that mostly involved tinned sardines. I’m not sure we’d have much to talk about, but I’m certain the food and wine would be to my taste.

Elizabeth: That’s a difficult one. I think it’s not necessarily the character that I like the most, or find the most sympathetic, but in a geeky way I would love to try a wine with Sherlock Holmes and see how he might analyse the wine.

What three things do you wish wine lovers knew about Provence?

Ben: Come for the rosé, stay for the red – these really are the wines the region excels at, and the ones where vigneron passion best shines in the bottle, and Provence really does have an in-person charm that a lot of regions lack.

Reality really can live up to the bucolic image sometimes, and when it does, there is no place better than Provence. The light genuinely does have a brightness to it that is challenging to find elsewhere, and the scenery, while not made up of sweeping or breathtaking landscapes, has a real magic to it: oak or pine forests, pristine calanques, striking limestone. It’s a region that shines at a human scale, rather than in wide landscape photos.

That being said, a lot of Provence isn’t quite as picturesque as we might like, but the real gritty humanity adds to its charms. It’s not a fairytale land: there are caravans causing traffic jams at roundabouts, warehouses and supermarkets, campsites and rainy days. There’s a lot of commercial, industrial viticulture that doesn’t live up to the image.

Elizabeth: The region also makes great red and white – not just rosé. The coast is only a tiny percentage of the region and the hinterland is wild and rugged. Salade Niçoise comes from Nice – it is not the universal dish of the whole region; there are truffles and chestnuts in autumn, mountain honey, powerful goat’s cheese and strong flavours.

What are the five places that every wine lover should visit in Provence?

Ben: Chez Bruno restaurant in Lorgues  is a classic, and unquestionably encapsulates what makes Provençal gastronomy (and truffles!) so enchanting. Café Gaby café-bar in Lourmarin – the village really does deserve its reputation as one of the most picture-postcard perfect villages in the south, and it’s easy to feel that you’re in a Peter Mayle book for an afternoon, surrounded by lavender fields. There is no better place than La Maison des Vins Côtes de Provence in Les Arcs to stock up on a wide range of wines at cellar-door prices. The Île de Porquerolles is pristine untouched Provence, bright blue seas, and much more peaceful than Saint-Tropez! Lastly, the train from Nice to Marseille. It’s not one place, but it cuts through many vineyards and meanders slowly through vines, with views of striking sea cliffs, and ever-changing scenery. Worth an afternoon just for the sake of it!

Elizabeth: Cassis for the proximity to the sea, the white limestone, the almost 100 per cent white wine production and Bandol for powerful Mourvèdre reds, beautiful old, terraced vineyards and old vintages. Sainte-Victoire – the view of the mountain painted by Cézanne is well known but few climb up into the hills for a different perspective and some great wines at higher elevations. The Massif des Maures has chestnuts, cork production and a growing number of bijoux estates appearing up in the hills. And Saint-Jeannet in the hills above Grasse is making old style wine in glass demijohns.

What’s the most Provençal way to spend a Saturday/Sunday morning?

Ben: In the summer, definitely in the swimming pool. It’s too hot to do anything else, and, especially in public pools, it’s a wonderful place to meet new people. Rosé by the pool, however, is surprisingly absent.

Elizabeth: Villages often have weekend markets – so a browse around a market, meeting friends in market cafés over a glass of wine, coffee or pastis. Socialising is very outdoors-based and communal, whether in the heat of the summer or wrapped up on cold winter mornings. We have spent winter mornings having a glass of wine, or even vin chaud, and fresh truffles cooked with eggs. In summer, there is chilled rosé with a bowl of olives and freshly baked fougasse bread.

If you’d like to learn more about the region, The Wines of Provence by Elizabeth Gabay MW and Ben Bernheim is available here.