Why the Academie du Vin Library? To re-publish and re-create the ‘literature’ of wine. Today much wine writing is reduced to tasting notes and scores, while technical information and prices can be found on the web. The books that taught me about wine in the 1960s were based on Places and People more than the Product, for it is the history and the stories that bring wine to life. In today’s busy world, time for reflection is of rare importance and we hope our books will repay time spent with them, as do wines themselves. The simple difference between tasting and drinking is paying attention. Wines will reveal their secrets if you listen to what they are saying. Hugh Johnson describes a fine wine as “a wine worth talking about.” We think our books will, like good wines, be worth reading and then worth talking about. Forget about ‘value for money’, think rather ‘value for pleasure.’
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Pink void – how did rosés get so pale?
As rosés get lighter and lighter, Henry Jeffreys asks why the colour of wine is so important
Pink void – how did rosés get so pale?
As rosés get lighter and lighter, Henry Jeffreys asks why the colour of wine is so important
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Boom boom in the land of Port
Porto (or Oporto as it is sometimes known), the northern powerhouse of Portugal, is buzzing. People no longer work in Porto and play in Lisbon; they work in Porto and...
Boom boom in the land of Port
Porto (or Oporto as it is sometimes known), the northern powerhouse of Portugal, is buzzing. People no longer work in Porto and play in Lisbon; they work in Porto and...
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Natalie Oliveros, Fattoria La Fiorita, Montalcino
Natalie Oliveros, who was born in Northern New York, was given an Italian heritage and education by her Calabrese nonna (grandmother), and she was introduced to ‘basement winemaking’ by her...
Natalie Oliveros, Fattoria La Fiorita, Montalcino
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